![]() ![]() Here are some recommendations for places to look. It might take a while to find some presets that really click with you and how you want to showcase your work. If you can get more commissions because your work stands out, it’s not long before these presets pay for themselves. When working on your own, feedback from others who use exactly the same product can be invaluable and inspirational. You can share and get support from other photographers and learn at the same time. Not only that, but some of the more expensive preset companies have a great community surrounding their products. The more expensive presets also bundle in Lightroom profiles and make use of Adobe Look up Tables (LUTs) for more finely-tuned colour correction and grading. As well as technical support for photographers, many of these have been tried and tested with a particular genre of photography in mind. You get what you pay for when it comes to presets. ![]() So why on earth would you ever consider paying out $100s for a set?įreebies are great for getting your head around how Lightroom presets work, but the outcomes aren’t that exciting, and are often quite heavy-handed. A quick Google of ‘free lightroom presets’ will also throw up a load more. Lightroom comes with a few presets as standard. Or they could be really subtle a quick way to tweak image curves or contrast. Some will radically change the overall appearance of a shot maybe give an image a vintage effect, apply a radical colour cast or quickly transform your monochrome shots into black and white. In Lightroom, you can fly through some options and check out the preset effects by glancing at the ‘Navigator’ preview and there’s very little lag. Most of the time, this means only have to concentrate on basic tweaks such as white balance or exposure and any spot adjustments, of course. With a lot of the groundwork done for you, a few quick adjustments can be made to suit your image and the overall look you’re going for. I like to think of them more as a ‘primer’ – a quick way to check out variations on your image you might not have thought of yourself (or simply don’t have time to do). You will always need to do SOME work to make the images sing. Now, let me reiterate that a good Lightroom preset is never going to be a one-click solution to achieving a perfect image. Lightroom presets – what are they good for? Here’s where having some really great Lightroom presets in your armoury can really help to achieve punchier shots and a stack of time. That ‘Auto Sync’ button will only get you so far… After all, clients are waiting patiently and are often excited to see the results. It’s do-able once you get into a rhythm and have your workflow perfected (I find setting myself much smaller chunks and scheduling mini breaks helps things feel a lot more achievable).īut with such a high volume of edits to get through week-by-week, the idea of working individually through each image from scratch, perfecting the white balance and exposure, and fine-tuning curves and levels, is unrealistic. It’s not unusual to have to edit 1,000+ images over the course of a week, maybe more when shooting back-to-back sessions. As well as eating into precious profits, it feels uncomfortable as a professional to relinquish control of the final appearance of my images, and how they’re presented to my clients. Plenty of places offer post-production services, and there’s no shame in enlisting these when your time needs to be spent in the field, shooting with clients. No matter how many shortcuts are memorised, or workflow systems tweaked, the image-editing process never seems fast enough. The season always starts with the intention to keep on top of the workload, but before very long my left eye develops the over-tired floating blur and RSI sets in. Working as a professional wedding photographer, the “ wediting” churn throughout mid to late summer can be really overwhelming. But something is amiss it somehow lacks the punch you pictured when shooting it. Technically, your photo is sound, the exposure spot on, the composition is solid and you’ve worked hard to get the lighting just right. Best Adobe Lightroom presets for photographers ![]()
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